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Albert Kaan lives and works in Bucharest. Born in 1993, he graduated from the Sculpture Department at the National University of Arts in Bucharest in 2016. His artistic discourse is strongly related to his urban experiences. He combines industrial materials, such as iron and tar with the more traditional modelling clay, plaster or charcoal to create spatial structures of generous sizes that can be as well exhibited outdoor, in gardens and parks or indoor, in white-cube or industrial spaces. He also mixes sounds and video-projections with industrial structures, creating spectacular effects in live performances.
As a young artist he explores out of the ordinary mental and sensory experiences and transfers them into matter. More than being shortly lived, his artworks are projected, planned, imagined and transformed into solid, permanent structures.
Just as a photograph immortalizes moments, the metal networks built up by the artist preserve pieces of his thoughts and the memory of older memories. Through formal reduction and simplified geometry, he extracts the essential out of the sensory chaos.
The mixture of metal with light and colour transforms classical media in post-Conceptual ideas, while intention and process to eternize multisensory experiences in only one image, as in photography, amplifies the polymorphic meaning of his objects-instances.
Albert Kaan combines media in such a way that he takes a distance from tradition, that can easily confine such a historical discipline. He welds, paints and assembles various materials, using formal rigors concerning rhythm, movement and the ephemeral.
His first solo show presented at 418 Gallery has a site-specific dimension, the artist being influenced by the space of the barn from Cetate, where he integrated his vision along with the technical possibilities of the given environment. Being interested in installation as practice in post-War art history, Albert Kaan claims his inspirational sources from Dan Flavin or James Turrell, without becoming formal burdens, only guiding practices in certain technical aspects. Claire Bishop considered that installation “addresses the viewer directly as a literal presence in the space”. The exhibition Form Vibration – Time Illusion is situated in the mid-point between site-specific installation and a display of serial artefacts and relies on the effect that space and light have upon objects, sound and shapes.
Cetate Arts Danube | Impressions by Victoria Dejaco | Vienna Contemporary Mag, August 2018
Form Vibration/Time Illusion | Albert Kaan, RFI, May 2018
Cetate Arts Danube – Artists in Residence 2019, 12th Edition
Cetate Arts Danube – Artists in Residence 2018, Mihail Cosuletu, Stefan Radu Cretu, Albert Kaan, Adina Mocanu, Petrica Stefan, Miki Velciov , Cetate Arts Danube Center, Cetate, Romania
Cetate Arts Danube – Artists in Residence 2017, Stefan Radu Cretu, Albert Kaan, Constantin Luser, Ignazio Mortellaro, Stefan Papco, Petrica Stefan, Cetate Arts Danube Center, Cetate, Romania
Solo Show, PlantVillage, Bucharest
Form Vibration/Time Illusion, 418 Gallery, Cetate
Opening Artspace, Stefan Radu Cretu, Albert Kaan, Petrica Stefan
Art Safari 2019
Art Safari, Bucharest
Nomi Blum, Damien Caccia, Stephanie Carranza, Albert Kaan, Dimitri Mallet, Célia Nkala, Daniel Roşca, Vlad Turco
In the frame of the French – Romanian Season 2019
Galerie Mansart, Paris
Dimensions – Albert Kaan, Cristina Flo, Matei Petrescu, Råhuset, Copenhagen
Quasi Vernissage, Cazul101, Bucharest
Creator and designers Night, Universivery of Arhitecture Ion Mincu, Bucharest
In serie – NAG, TOT, Bucharest
4 Artists’ Room, 418 Gallery, Cetate
Diploma Selected, Romanian Design Week, Mezanin, Bucharest
An Abstract Feeling – Young Romanian Artists, 418 Gallery, Bucharest
Diploma Selected, Stirbey Palace, Bucharest
New Artists – Hanul Gabroveni, Arcub, Bucharest
Amural Festival, Brasov
Summer Well Festival, Stirbey Estate, Bucharest
Adamclisi Arts Archeology, Adamclisi
Expo Circuit: Hanul Gabroveni, Bucharest; Multicultural Center of Transilvanya University, Brasov; Museum of Universal Etnography, Franz Binder, C.N.M., Astra, Sibiu; Urania Palace, Cluj – Napoca; Ambasada, Timisoara
The New Creative Class 1. Albert Kaan & Mihai Popescu, Tipografia Gallery, Bucharest
Muse, Danaida, Craftsmanship, Cumintenii, Romanian National Library, Bucharest
Shape, Questions and Answers II, Timisoara West University’s Sculpture Department
Metha – Lan III, The irreversible passage of time, AnnArt Gallery, Bucharest
Metha – Lan II, Human interconnection, AnnArt Gallery, Bucharest
Sutu Palace, Bucharest
Look and Learn, Tonitza Highschool Exchange, London